Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Huray, Peter Le; Butt, John: In Search of Bach the Organist. [ce]BHSTercentenaryEssays (1985), 185-206. | |
| 2. | Butt, John Anthony: The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. diss. (1987), 336, 79, 31p. PhD diss., Cambridge Univ., 1987. 336, 79, 31p. | |
| 3. | Butt, John: Bach's organ sonatas BWV 525-530: Compilation and Recomposition. OrganYb 19 (1988), 80-90. | |
| 4. | Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p. | |
| 5. | Butt, John: Bach: 'Mass in B Minor'. Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks) [contents] | |
| 6. | Butt, John: Bach's Mass in B Minor: Considerations of its Early Performance and Use. JMcol 9/1 (Winter 1991), 109-123. | |
| 7. | Butt, John: Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. JRMA 116/1 (1991), 41-62. | |
| 8. | Butt, John: Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? [p]AMS_NorthernCalifornia (Fall 1992) A paper read at the Northern California Chapter of the American Musicological Society in Fall 1992 at University of California, Davis. | |
| 9. | Butt, John: Music education and the art of performance in the German Baroque. Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs) [contents] | |
| 10. | Butt, John: Bach the heretic? [p]BCB_Edinburgh (Jul 1994) A paper read at the Sixth Biennial Conference on Baroque Music, University of Edinburgh, Scotland, 7-10 July 1994. | |
| 11. | Butt, John: J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. BachStud 2 (1995), 47-61. | |
| 12. | Butt, John: Perfectly infinite. BBCMMag (1997), 38-40. In: BBC music magazine special issue 1997 p. 38-40. ISSN: 0966-7180 | |
| 13. | Butt, John: Bach's metaphysics of music. [ce]CambridgeCompanion_Bach (1997), 46-59. | |
| 14. | Butt, John: 'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. [ce]CambridgeCompanion_Bach (1997), 60-71. | |
| 15. | Butt, John (ed.): The Cambridge Companion to Bach. Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music) [contents] | |
| 16. | Butt, John: Historical Perspective & Introduction. [ce]SacredChoralMusicJSB (1997), 1-4. | |
| 17. | Butt, John: Ornamentation. [ce]SacredChoralMusicJSB (1997), 48-54. | |
| 18. | Butt, John (ed.): The Sacred Choral Music of J. S. Bach: A Handbook. Brewster, Mass.: Paraclete Press, 1997. 66p. ISBN: 1-55725-197-5. [contents] | |
| 19. | Butt, John: Bach's vocal scoring: what can it mean? EarlyM 26/1 (Feb 1998), 99-107. | |
| 20. | Butt, John: Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Quodlibet 11 (Jun 1998), 3-15. Trans. by Ramon Silles. | |
| 21. | Butt, John: Bach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 (1999), 181-198. | |
| 22. | Butt, John: Vida de Bach. [Bach's Life] Trad. María Condor. Madrid: Cambridge University Press, 2000. 384p. - Madrid: Akal Cambridge, 2003. 324p | |
| 23. | Butt, John: The historical performance movement; Bach and the organ in 2000. [ce]IAOMillenniumBook (2000), 15-19. | |
| 24. | Butt, John: Bach in the 21st Century: Re-evaluating him from the perspective of performance. [p]BCB_Dublin (Jul 2000) A Keynote Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. | |
| 25. | Butt, John: Performer's View: Bach and the Performance of Meaning. AmerBachSocNL (Fall 2001), 5, 10. | |
| 26. | Butt, John: Bach, the Postmodern Mindset and Scholarship Today. [p]IS_Oxford (Dec 2001) A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. | |
| 27. | Butt, John: Playing with History: The Historical Approach to Musical Performance. Cambridge: Cambridge University Press, 2002. xv, 265p. ISBN: 0-521-81352-2 (hardback); 0-521-01358-5 (paperback); 0-511-03020-7 (eBook). | |
| 28. | Butt, John: Choral music. [ce]CambridgeHist19cM (2002), 213-236. | |
| 29. | Butt, John: Choral culture and the regeneration of the organ. [ce]CambridgeHist19cM (2002), 522-543. | |
| 30. | Butt, John: Towards a genealogy of the keyboard concerto. [ce]KeyboardInBaroqueEurope (2003), 93-110. | |
| 31. | Butt, John: Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). 18cM 1/1 (Mar 2004), 109-111. Cantus Cölln / Concerto Paladino / Konrad Junghänel. Harmonia Mundi HMC901783/84, 2003; two disks, 2' 33''. | |
| 32. | Butt, John: Bach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 (2004), 191-204. | |
| 33. | Butt, John: Bach in the twenty-first century: re-evaluating him from the perspective of performance. BachNachwelt 4 (2005), 169-181. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 191-204 (= Irish Musical Studies 8)] | |
| 34. | Butt, John: Figuring out Bach. [fs]Elliott (2005), 211-219. | |
| 35. | Butt, John: The universal musician. Guardian (12 Dec 2005), 16-19. Bach has been borrowed by innumerable causes, from religion to modernism. John Butt examines a life with many meanings. | |
| 36. | Butt, John: Bach Passions and the Concepts of Time. [p]CWolff_Harvard (Sep 2005) A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University. | |
| 37. | Butt, John: Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. [p]MendelssohnL19C_Dublin (Jul 2005) A key-note paper read at conference 'Mendelssohn in the Long Nineteenth Century' held at Trinity College Dublin, 15-17 July 2005. | |
| 38. | Butt, John: Bach: cantatas and a passion. EarlyM 34/1 (Feb 2006), 168-171. Recording Reviews. | |
| 39. | Butt, John: Historical instruments and the embodiment of music. PubSchweizerischMfG 46 (2006), 9-16. | |
| 40. | Butt, John: The Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 (2006), 9-18. http://www.bachnetwork.co.uk/ub1/butt.pdf | |
| 41. | Butt, John: Choralpartiten. BachHandb 4/1 (2007), 494-510. [BWV 758, 767-768, 770, Anh. 77, 78] | |
| 42. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth: Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5]. | |
| 43. | Butt, John: Clavier Übung III. BachHandb 4/2 (2008), 906-929. Quellen, Hintergründe und Intentionen; Praeludium Es-Dur BWV 552/1; Musik für die Messe; Musik für den Katechismus; Fuga Es-Dur BWV 552/2. | |
| 44. | Butt, John: Canonische Veränderungen über Vom Himmel hoch. BachHandb 4/2 (2008), 949-961. [BWV 769 (769a)] | |
| 45. | Butt, John: Die 'Schübler-Choräle'. BachHandb 4/2 (2008), 996-1006. [BWV 645-650] | |
| 46. | Butt, John: Bach's Passions and the Textures of Time. HarvardPubM 22 (2008), 111-120. | |
| 47. | Butt, John: Between rhetoric and dialectic - Bach's inventive stance in the Passions. [p]SMA_Glasgow (Apr 2009) A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow. | |
| 48. | Butt, John: Bach's Dialogue with Modernity: Perspectives on the Passions. Cambridge: Cambridge University Press, 2010. 336p. ISBN-13: 978-0521883566. - Paperback edn. 2012. ISBN 978-1107404601. | |
| 49. | Butt, John: Emotion in the German Lutheran Baroque and the development of subjective time consciousness. MAnalysis 29/1-3 (Mar-Oct 2010), 19-36. [BWV 32/1] | |
| 50. | Butt, John: Who is speaking in the Bach passions? [cr]Weimar2004 2 (2012), 428-433. | |
| 51. | Butt, John: Organs and universities—A universal association? [cr]Harvard2012 (2013), 1-10. | |
| 52. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina: Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge (Jul 2015) A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. | |
| 53. | Butt, John: Leonhardt's Role in the Invention of Historically Informed Performance. Bach 48/2 and 49/1 (2018), 9-12. | |
| 54. | Butt, John: Bach and the dance of humankind. [ce]MusicologyDance (2020), 19-48. | |